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Setanta Book Store/Collections/So Exotic, So Homemade: Surrealism, Englishness and Documentary Photography
So Exotic, So Homemade: Surrealism, Englishness and Documentary Photography
So Exotic, So Homemade: Surrealism, Englishness and Documentary Photography
So Exotic, So Homemade: Surrealism, Englishness and Documentary Photography
So Exotic, So Homemade: Surrealism, Englishness and Documentary Photography
So Exotic, So Homemade: Surrealism, Englishness and Documentary Photography
So Exotic, So Homemade: Surrealism, Englishness and Documentary Photography
Setanta Book Store/Collections/So Exotic, So Homemade: Surrealism, Englishness and Documentary Photography

by Ian Walker

So Exotic, So Homemade: Surrealism, Englishness and Documentary Photography

2007

£35.00
 
 
This item is a recurring or deferred purchase. By continuing, I agree to the cancellation policy and authorize you to charge my payment method at the prices, frequency and dates listed on this page until my order is fulfilled or I cancel, if permitted.
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First edition of So Exotic, So Homemade: Surrealism, Englishness and Documentary Photography by Ian Walker. First impression. Medium format hard back in near fine condition. Some very minor shelf rubbing to the dust jacket only.

About

In his previous book City Gorged with Dreams (2002), Ian Walker challenged established ideas about Surrealist photography by emphasising the key role played by documentary photographs in Parisian Surrealism. Now Walker turns his attention to the arrival of Surrealism in England in 1936. Examining for the first time the surprising relationship between Surrealism and English documentary photography and film, the book shows that some of the most interesting work of the period was made in the ambiguous spaces between them. One of the key themes in this book is the relationship between the 'homely' and the 'exotic', in the innovative mix of poetry and ethnography in Mass-Observation for example, or the shadowed England constructed in the work of Bill Brandt. Based on extensive archival research, interviews and visits to sites where the photographs were made, this book is rich in detailed analysis yet written in an accessible and often witty style.

Publisher: Manchester University Press

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Richmond, Surrey
TW10 5EG

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