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Setanta Book Store/Collections/The Code For Flowers. The Last Star To Shine
The Code For Flowers. The Last Star To Shine
The Code For Flowers. The Last Star To Shine
The Code For Flowers. The Last Star To Shine
The Code For Flowers. The Last Star To Shine
The Code For Flowers. The Last Star To Shine
The Code For Flowers. The Last Star To Shine
The Code For Flowers. The Last Star To Shine
The Code For Flowers. The Last Star To Shine
Setanta Book Store/Collections/The Code For Flowers. The Last Star To Shine

by Al Brydon

The Code For Flowers. The Last Star To Shine

2024

£30.00
 
 
This item is a recurring or deferred purchase. By continuing, I agree to the cancellation policy and authorize you to charge my payment method at the prices, frequency and dates listed on this page until my order is fulfilled or I cancel, if permitted.
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Arrives in:

UK

2 - 4 Days

EU

2 - 7 Days

World

3 - 17 Days

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× UK

UK Shipping Costs - 2 - 4 Days

Weights
Orders 0.1kg – 2kg: £5.50
Orders 2.01kg – 14kg: £9.00
Orders 14.01kg – 20kg: £16.00
Orders 20.01kg – 30kg: £16.00
EU

EU Shipping Costs - 2 - 7 Days

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Orders 0.1kg–0.7kg: £12.00
Orders 0.71kg–1.4kg: £16.00
Orders 1.41kg–2kg: £22.00
Orders 0.5kg–4.5kg: £37.00
World

Rest of the world Shipping Costs - 3 - 17 Days

Weights
Orders 0.1kg–1kg: £20.00
Orders 1.01kg–1.5kg: £30.00
Orders 1.51kg–2kg: £50.00
Orders 2.01kg–4kg: £60.00

First edition of The Code For Flowers. The Last Star To Shine by Al Brydon (2024)

First impression 

Medium format paperback in new condition 

In a limited edition of 250 copies

Please note that the copies are brand new and unread, however, due to the nature of the cover slight markings on it are to expected

Published by Another Place Press

About

Light is a necessity and a preoccupation for the work I make. It fascinates me that one day there won't be any and the universe will return to darkness. This work is about endings, and, of course, new beginnings. but also about identity and place. Not only my own physical place in the aforementioned uncaring, utterly indifferent universe, but the landscape I've been inhabiting and closely experiencing for the last three years making this body of work.  Being mindful and ultimately present in the landscape and allowing myself to be swept along with it, the subtle changes that occur over the seasons and with the passage of time. Some of the places I visited (often multiple times over the years) are not even there any more, certainly not in the state I photographed them in originally. There's an element of mourning to the loss of a place one feels compelled to photograph, though I understand some of these places were never meant to be anything but transitory. For me, it raises the question of why I photograph and what I'm unconsciously trying to achieve by making a record of it in the first place? There are so many reasons obviously, visually, mentally, how a place makes me feel and how I feel when I photograph that same place. Then I try to convey that meaning to the viewer in the hope there's at least a vague connection between us. Isn't that what this is, or at least should be, all about? Small personal interconnections made possible by the imperfect medium of photography? Perhaps it doesn't matter or is the only thing that matters.

Publisher: Another Place Press

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