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Setanta Book Store/Photography Books/Dogs Chasing My Car in the Desert
Dogs Chasing My Car in the Desert
Dogs Chasing My Car in the Desert
Dogs Chasing My Car in the Desert
Dogs Chasing My Car in the Desert
Dogs Chasing My Car in the Desert
Dogs Chasing My Car in the Desert
Dogs Chasing My Car in the Desert
Dogs Chasing My Car in the Desert
Setanta Book Store/Photography Books/Dogs Chasing My Car in the Desert

by John Divola

Dogs Chasing My Car in the Desert

2004

$299.00
 
 
This item is a recurring or deferred purchase. By continuing, I agree to the cancellation policy and authorize you to charge my payment method at the prices, frequency and dates listed on this page until my order is fulfilled or I cancel, if permitted.
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Arrives in:

UK

2 - 4 Days

EU

2 - 7 Days

World

3 - 17 Days

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× UK

UK Shipping Costs - 2 - 4 Days

Weights
Orders 0.1kg – 2kg: £5.50
Orders 2.01kg – 14kg: £9.00
Orders 14.01kg – 20kg: £16.00
Orders 20.01kg – 30kg: £16.00
EU

EU Shipping Costs - 2 - 7 Days

Weights
Orders 0.1kg–0.7kg: £12.00
Orders 0.71kg–1.4kg: £16.00
Orders 1.41kg–2kg: £22.00
Orders 0.5kg–4.5kg: £37.00
World

Rest of the world Shipping Costs - 3 - 17 Days

Weights
Orders 0.1kg–1kg: £20.00
Orders 1.01kg–1.5kg: £30.00
Orders 1.51kg–2kg: £50.00
Orders 2.01kg–4kg: £60.00

First edition of Dogs Chasing My Car in the Desert by John Divola (2004)

First impression

Large format hardback in new condition

Please note the book is new and unread, however, there are some slight markings to dust jacket. Please see photos

No markings

Comes with a dust jacket

Published by Nazraeli Press

About Dogs Chasing My Car in the Desert

'From 1995 to 1998, I worked on a series of photographs of isolated houses in the desert at the east-end of the Morongo Valley in Southern California. As I meandered through the desert, a dog would occasionally chase my car. Sometime in 1996 I began to bring along a 35mm camera equipped with a motor drive and loaded with a fast and grainy black-and-white film. The process was simple; when I saw a dog coming toward the car I would pre-focus the camera and set the exposure. With one hand on the steering wheel, I would hold the camera out the window and expose anywhere from a few frames to a complete roll of film. I'll admit that I was not above turning around and taking a second pass in front of a house with an enthusiastic dog. Contemplating a dog chasing a car invites any number of metaphors and juxtapositions: culture and nature, the domestic and the wild, love and hate, joy and fear, the heroic and the idiotic. It could be viewed as a visceral and kinetic dance. Here we have two vectors and velocities, that of a dog and that of a car and, seeing that a camera will never capture reality and that a dog will never catch a car, evidence of devotion to a hopeless enterprise.' - John Divola


Related Links

More books by John Divola here. More books by Nazraeli Press here.

Publisher: Nazraeli Press

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