First edition of Face by Bruce Gilden (2015). 

First impression

Large format hard cover in new condition.

Pages clean, binding firm

About

Here are Bruce Gilden's people, his family. He shares their teeth, their stubble, their scrapes and blemishes, their fear of death. In the women's scowls, in their sternly ambiguous glances, he sees his own mother's face, before she killed herself. We live in a world whose visual lingua franca has rapidly become the decontextualized, always posed, mechanically lit idiom of social media, of Instagram and, yes, Facebook (and whatever their successors might be). Far from rejecting this environment, Bruce's portraits embrace it and grapple with it. They say to the viewer: So, you ve constructed your social network out of aspirational pictures, of yourself and of your friends, but what space does that leave for these people? They are my face book friends. You need to look at them at us too. You can t make us disappear with digital photo filters and social media platforms that act as a real world filter, sifting from your community all that is discomfiting. We are here, closer than you might remember. (edited from the essay by Chris Klatell). A defining characteristic of Bruce Gilden's photography is his creative attraction to what he calls characters , and he has been tracking them down all through his career. Growing up in Brooklyn with what he describes as a tough guy of a father, Bruce Gilden developed a love of the streets, often calling them his second home. The unique energy of the streets mesmerized Bruce, an energy that can momentarily expose something inside people that generally stays hidden. This new body of work, however, is somewhat of a departure for him in that these tightly cropped, full face images can be seen as collaborative portraits. His subjects engage directly with the camera, and the photographs are all taken with permission.