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Setanta Book Store/Collections/Red Ink
The photography book cover of Red Ink by Max Pinckers. Paperback in pink with a white line drawing of a rose on the cover.
Red Ink
Red Ink
Red Ink
Red Ink
Red Ink
Red Ink
Red Ink
Red Ink
Red Ink
Red Ink
Red Ink
Red Ink
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Red Ink
Red Ink
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Red Ink
Setanta Book Store/Collections/Red Ink

by Max pinckers

Red Ink

2017

$109.00
Signed
 
 
This item is a recurring or deferred purchase. By continuing, I agree to the cancellation policy and authorize you to charge my payment method at the prices, frequency and dates listed on this page until my order is fulfilled or I cancel, if permitted.
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Red Ink by Max Pinckers. First edition (2017).  First impression. Medium format paperback in new condition. Signed by Max Pinckers to title page. No markings. This is a brand new book. Please see pictures. PayPal accepted, any questions please get in touch.

About Red Ink

In an old joke from the defunct German Democratic Republic, a German worker gets a job in Siberia; aware of how all mail will be read by the censors, he tells his friends: ‘Let’s establish a code: if a letter you get from me is written in ordinary blue ink, it's true; if it's written in red ink, it's false.’ After a month, his friends get the first letter, written in blue ink: ‘Everything is wonderful here: the shops are full, food is abundant, the apartments are large and properly heated, cinemas show films from the West, there are many beautiful girls ready for an affair — the only thing you can’t get is red ink.’ – Slavoj Žižek, Welcome to the Desert of the Real, Verso Books, 2013 So, in August 2017, at the height of tensions and the looming possibility of a nuclear war between the U.S. and North Korea, Max Pinckers travelled to Pyongyang.

He was on an assignment for The New Yorker together with his assistant Victoria Gonzalez-Figueras and American journalist Evan Osnos. During the four-day trip, they were strictly monitored and guided by government officials at all times. Moreover, every location diligently prepared before their arrival. Knowing that it would be impossible to reveal the reality behind the regime’s facade, Pinckers applied an aesthetic that refers to state propaganda and advertising, by using bold artificial lighting. This subversive approach reveals that these images are conscious of their own deceptive nature – lies that make us understand the truth – that we are looking at a manufactured version of reality according to the Kim regime.

Related Links

More books by Max Pinckers here.

More self published books here.

Publisher: Self Published

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